Wednesday, September 30, 2009
Lots to do!
Tuesday, September 29, 2009
Adrianna Wellisch
Monday, September 28, 2009
Things I need to do
Amazing Night
Sunday, September 27, 2009
Saturday, September 26, 2009
A Brief Encounter
Friday, September 25, 2009
This will be my sporadic blog
First:
Wednesday, September 23, 2009
Dislike
All Done
Tuesday, September 22, 2009
This is fun
Awkwardness is invading my room
Late at night
I need my ASM back
Sunday, September 20, 2009
Reason Why I Love my Life
I need it to be fall
Friday, September 18, 2009
FRIDAY
Thursday, September 17, 2009
I don't even have words right now...
Haha. Oh Abundance. Thanks for helping my complete my homework assignment.
The Night in Which We Did Not Have an Abundance of Good Luck
Picture a faded greenish-brown textured stage with pieces of carpet interspersed among the traditional paint to give the setting a more lifelike quality to represent the boundless American west. Add two representations of log cabins, 6 painfully obnoxious (from a tech’s perspective. They were actually very visually pleasing) ground rows, and a cyclorama flanking upstage to represent the expansive western sky. Add one director, 5 actors, 8 crew members, and 4 ushers and you are caught up to where our story begins. To give you a brief description, Abundance details the lives of two young women, Bess Johnson and Macon Hill and their husbands, Jack Flan and Will Turner and their journey through hardship, prosperity, and the underlying truth of friendship. I, Shannon, will be telling this story from my perspective on that one fateful performance when everything just seemed to go wrong.
The point of attack occurs at 6 pm on November 15. The crew is setting up the stage, my co-stage manager is meticulously organizing her prop table, and the actors are perfecting their make up, costumes, and hair, and, every so often, interjecting with comments about the day, the costumes that tend to pose problems, and how they wish they could skip the last scene before intermission (for reasons that will only make sense to those involved). Everything appears to be going perfectly. I am constantly pacing back and forth from backstage left, down the hall, out to the lobby to the box office when I quickly turn around and retrace my steps while the house manager asks me for the 5th time why I am in the lobby. And then I repeat this. I appear more nervous and excited tonight because my parents are coming. 7:30 approaches and we open the house. I am not the only person nervous tonight. Macon’s parents are coming as well and she is concerned that the fires California always seem to be plagued with will prevent them from arriving. Her parents arrive well before the curtain goes up. I am happy for her. However, mine do not. I do not like this and become more agitated each moment. At 7:53, 5 minutes before places, I receive a phone call telling me that my parents will be late. I instantly become frazzled and disappointed but am aware that the show must go on. Minutes pass and soon the clock strikes 8. I know I must start the show. I slowly climb to the booth and join my two comrades who live in the lighting booth with me. Sounds go, lights go, and…I miss my cue. The very first lighting cue. Here comes the climax of the show. Although a missed lighting cue should easily be forgotten, the sense of tension in the booth leads us to believe that this is just the beginning of something. Per usual, Bess comes on stage with her characteristic frightened but curious look and takes a seat. Soon after Macon enters. She is empty handed. This is not supposed to happen. Suddenly everyone on headset goes wild because we are full aware that she is supposed to carry on a plate of biscuits which are really the beginning of their friendship. In essence--no biscuits, no friendship, no play. I then spend the next 5 minutes sending as many good vibes to the actors and constantly talking to myself telling me that they are extremely capable and will find a way to improvise this scene. By this point, the light operator and sound operator are looking at me like I am crazy and have stopped responding to anything I say. I am flustered again because not only am I concerned that my friends are terrified on stage but I also have no idea where my next light cue is going to happen. While on this is happening, the actors are successfully continuing onstage. By some miracle the scene finishes (with plenty of improvisation, random entrances, and powerful good luck chanting happening in the booth). The overall feeling is that that was certainly a terrifying moment for a theatrical production but we survived and the show went on. Little did we know that there was one more trick to completely throw us off guard. I call for the lights to come up for the next scene. We see Jack cross upstage towards stage right and reach out for a rope which will pull on a set piece that represents his cabin (it connects with a small platform that expands their playing space). Halfway through pulling the cabin on, it suddenly stops. I can see a panicked, yet masked well, look on Jack’s face. He is aware that this piece is essential for at least 3 scenes in this show. Once again every goes crazy on headset trying to solve this problem. He makes the wise decision of leaving the set piece halfway. Stage hands are trying to figure out what happened, I am once again praying that the actors aren’t losing their minds, and the poor guys in the booth with me are shaking their heads and trying not to get caught up in the pandemonium. The moment of release comes when we finally reach intermission. I am able to go backstage, give hugs, tell the actors I am extremely proud of the work they did onstage and glad they remained composed. We then continue the show with no mistakes.
(If I actually directed this show, I would also include numerous flashbacks to rehearsals to give context and backstage. It would also provide for some entertaining moments).
Wednesday, September 16, 2009
Let's not overschedule ourselves shall we?
Tuesday, September 15, 2009
Stairs are not my friend
Monday, September 14, 2009
I am in love
Sunday, September 13, 2009
How I Define Success
Friday, September 11, 2009
A Day in My Life
Thursday, September 10, 2009
I love my cast
Mrs. Dalloway-Laura Miller
Mr Dalloway-Andrew Talbot
Prickett Ellis-Andrew Galindo
Miss O'Keefe-Tatiana Ray
Lilly Everit- Francesca Crebassa
Bob Brinsley- Liam Callister
Mabel Waring-Jenna Stich
Hubert Waring-Frank Moreno
Rose Shaw- Annie Efremsky
Violet Searle-Kim Sturiale
I'm kind of in love with all of them. This show is going to be amaaaazing.
My knee is still dead. I will be voyaging to the health center tomorrow if I actually finish this homework for Reid...meaning I should go do that right now.
I'm sorry if I haven't called you/talked to you recently. I am in the process of getting everything ready for the show and once I fall into a regular routine, then I can talk again.
Love to you all <3